*watches LORDS OF CHAOS once* R.I.P. Dead (1969-1991)

HULU had Lords of Chaos (2018) on my For You section and since it said it was about “a teenager's quest to launch Norwegian Black Metal in Oslo in the early 1990s [resulting] in a very violent outcome” I thought to myself, why the hell not and immediately hit play on the movie. Today I am NOT here to tell you how much I loved the docudrama although I did (thank you, algorithm), but instead I am here to express my hatred (ew, hatred is such a strong word) for what I learned happened to poor Dead in real life #RIP.

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But before I start talking about Dead, I would like to say that those two other Mayhem guys were crazy! The band’s co-founder and guitar player Øystein "Euronymous" Aarseth for using Dead’s suicide picture on an album cover and for being a bad Satanist (all smoke and no fire), although I do have to give him props for having such a great eye for business and marketing —knowing that once you told people they were not worthy of listening to your ‘evil’ music would make them want it even more was brilliant, no wonder why he is still considered the creator of true Norwegian Black Metal. And do not get me started with bass player Kristian "Varg" Vikernes who not only was a church-burning neo-Nazi but also Øystein’s killer — yikes!

[Quick side note: It is not lost on me that if old-timey black-metalheads knew that a welcoming, all-inclusive, open-minded, well-adjusted, happy American woman was writing online about their beloved exclusive subculture they would low-key have a stroke, and for that I would politely tell them to please calm down and take a few deep breaths because it’s been three decades already and these are nothing but the meaningless ramblings of a total stranger on a blog so, yada, yada, yada, it’s okay, no one cares, I promise.]

Swedish singer Per "Dead" Yngve Ohlin aka Pelle was born on January 16, 1969 and died in Norway on April 8, 1991 of a self-inflicted gunshot wound to the head. He was 22 years old.

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Dead joined Mayhem in 1988 as their vocalist and was regarded as extreme onstage, not only for wearing corpse paint on his face and for burying and digging his show clothes so they would have a rotten smell, but also for cutting himself in front of the live audience. Self-harm and death were big topics for Dead.

Some say that due to a sports accident, or a beating from bullies, Dead’s spleen ruptured when he was 10 years old and was pronounced dead at the hospital. This event played the biggest role on Dead’s life, messing with his head to the point where some people speculated that he must have developed Cotard delusion which made him believe he was really dead.

"Dead didn't see himself as human; he saw himself as a creature from another world. He said he had many visions that his blood has frozen in his veins, that he was dead. That is the reason he took that name. He knew he would die." -Stian "Occultus" Johannsen

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Those around Dead knew he suffered from severe Depression, yet, no one did anything to help him out. Not sure if it was because they were all young men with no real life experience, or because they were men and omg only pussies get sick, or because it was a different time and Mental Illness was still considered a big no-no among the general population, or because it was Norway and damn it they do things differently there. I guess what I want to say is that, hypothetically, had I been there, I would have said something to try make him seek medical attention or at the very least had taken away from him the loaded shot gun and knives.

“Excuse the blood, but I have slit my wrists and neck. It was the intention that I would die in the woods so that it would take a few days before I was possibly found. I belong in the woods and have always done so. No one will understand the reason for this anyway. To give some semblance of an explanation I'm not a human, this is just a dream and soon I will wake. It was too cold and the blood kept clotting, plus my new knife is too dull. If I don't succeed dying to the knife I will blow all the shit out of my skull. Yet I do not know. I left all my lyrics by "Let the good times roll"—plus the rest of the money. Whoever finds it gets the fucking thing. As a last salutation may I present "Life Eternal". Do whatever you want with the fucking thing. / Pelle. I didn't come up with this now, but seventeen years ago.”

Is there a way to end on a good note this morbid post? Well, let’s see… in 2009 Roadrunner Records positioned Dead in number 48 on their TOP 50 GREATEST METAL FRONTMEN OF ALL TIME list, but I guess that recognition was not much in comparison to the fact that music scene outsiders, back in 1991, became aware of the existence of Norwegian Black Metal because of Dead’s suicide, granted, it was a sad and unfortunate introduction, nevertheless, it propelled the new genre across Metal communities all around the world.

Rest in peace, Dead, your life was brutal and short, but it meant a great deal to many. Hail Satan.

In Love and Fear,

-Marath

© 2016-2021

Not a Horror Movie: The Tax Collector (2020)

Is it just me being biased, or is The Tax Collector (2020) really good? What can I say, sometimes my judgment gets clouded when my Mexican culture is represented well, even if done via a violent crime/action movie, so I ask again, am I being too generous or is the film actually great? What was that? You have no idea of what I am talking about because it is not a horror movie (nerd!) and you can’t relate? What!? You haven’t even watched the trailer yet? Here, let me help you fix that:

So, full disclosure, I’ve re-watched the movie a couple of times because it makes me feel giddy and happy inside as I see my family in it, I mean, obviously not the criminal part (ew, how dare you!?) but the gente, the day-to-day stuff that Mexican families do, like gathering around to eat big meals, cocinando chiles y llenando la casa de humo, persinandose and praying, being loud, getting ready para los Quince Años, dancing, celebrating life, just good vibes all around. Maybe it’s just me being nostalgic for the good old days when I used to live near my family, but man, there is something so incredibly comforting about seeing scenes like this one:

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[Side note: Ever since I watched 3 From Hell (2019) by Rob Zombie I felt so bitter by the way Mexicans were wrongly represented, like caricatures, with silly sombreros and big dresses, living in dirt and poverty. So yes, as soon as I watched a pretty damn accurate representation of my people even if that representation was for a small part of our rich culture—that of family values—I was like, Muchas gracias, The Tax Collector!]

The other aspect of the movie that I enjoyed quite a lot was the sense of humor from Creeper, I mean, honest to God, it was so refreshing seeing a badass like him making goofy jokes while also talking in a sober voice about the benefits of good nutrition and mindfulness – what a hoot! That Creeper guy was scary though, like, too intense for my taste but at the same time sort of, ahem, charming? Don’t ask me why the bad boy approach works, it just does, okay? By the way, I understand that the actor playing that role was not Mexican (everyone else was, yes?) but I have to say that it worked, it really did work for me and did not find him unbelievable or cringey, plus, I admired the fact that he got a real Mexican tattoo on his chest, just for this film.

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Can we get serious for a moment? The main character, David Cuevas, was hands down the best role model in the whole movie as he embodied both the bad and the good, the senseless and the reasonable, the ‘collector’ and the protector, the criminal and the business man, the murderer and the family man, the heir and the forsaken. I think he, himself, said it perfectly when talking to Creeper about what it was like to be in his shoes:

“I love my family. I love God. God allows me to walk through darkness and come back into the light. I have two worlds. You can too.” -David

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Before I close this post and go re-watch the movie again, I would like to quickly list just for fun all the other things I enjoyed about it, SPOILERS AHEAD:

The family con las hermanas y tíos / “The Mexican Kardashians” / L.A.’s gritty neighborhoods / meditating is “satanic” lol / actual unsettling satanic rituals / slow motion shoot-out / hardcore violence (way too much, way too many heads smashed #gross) / the bloody bathtub #romantic / buried money / motorcycle chic / chocolate bars with hidden messages / la fiesta con la cumbia / “That’s like the female you. You guys should get married and have evil babies and shit.” / important characters dying / the soundtrack & music score (Sneaking Into The Compound by Michael Yezerski) / the open ending

In Love and Fear,

-Marath

© 2016-2021

Worse Than a Horror Movie: Paulette (2005-2010)

Hi friend, I hope you are doing well, keeping safe and healthy. Today I would like to talk about a case that shocked me to my core but, since it involves children, I wanted to give you a heads-up before moving forward, so, if violence against that demographic is something you’d rather not hear about please click out of this post and look after yourself.

Last week, by mere happenchance while watching a random Mexican showbiz interview talk show, I heard for the very first time the name Paulette. Paulette? I thought to myself, who is Paulette and why is she being mentioned like that? So casually, yet, with a somber tone of voice… should I know about her? No, of course not, after all, the interviewer and the interviewee only mentioned the name and nothing else, but again, the mood in the room did change by that single name and those present seemed to agree with their silence. Paulette. Yes.

My gut feeling was right about Paulette, but my heart was not ready for everything I found online, on YouTube, and on the book ‘Paulette, Lo que no se dijo’ by journalist Martin Moreno.

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Paulette was the four-year old daughter of Lisette Farah and Mauricio Gebara (a well-to-do couple with connections with the Mexican government thanks to Mauricio’s dad) & the sister of seven-year old Lisette Gebara Farah (the first born daughter shared the mother’s first name). This big sister, Lisette, was known by the live-in nannies, sisters Erika and Martha, for displaying aggressive behavior supposedly out of jealousy toward Paulette for all the attention she was getting from everyone, you see, Paulette was born at six and a half months with both speech and motor disabilities and needed supervision 24 hours a day.

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On March 22, 2010 Paulette was reported missing from her high-security luxury home and nine days later (NINE!!) her lifeless body was discovered on her own bed (ON HER OWN BED!!), yes, her corpse was found in the little girl’s bedroom where dozens, hundreds of individuals came and went, where supporting friends and family members spent the night while the “kidnapping” was being investigated, where reporters sat along with the mother giving weird interviews saying her disappearance was to be blamed to UFO’s (not joking, she said that, it’s on tape).

The tragic nature of this event should be enough to make you feel outraged, right? Well, what if I told you that politics [allegedly] played the most important role in the story? Not the death of an innocent child but [allegedly] the Mexican government… Outraged? More like, enraged. Disgusted. Horrified.

This case has been on my mind for the entire week as I could not simply shake off the death of Paulette, of her being manhandled, desecrated, taken, returned like an object and placed in between the mattress and the bed frame, of her terrible demise being the symbol of everything that is wrong with Mexico, that is, that justice toward a victim is nonexistent if the perpetrator is a person in power, or, at least, a person with connections to a person in power. At first, I blamed the potential ineptitude of those officials handling the case (police, detectives, forensics, etc.) but thanks to Moreno’s journalistic effort, I learned that I should have been blaming instead the corruption of those who were clearly meddling in the case, protecting the obvious suspects. To me, Paulette’s case went from a horrible tragedy to an unfortunate instance of [corrupt] politics vs. justice.  

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It was an ugly image, that of a supposed “kidnapping” at a high-security luxury home with no evidence of forced entry, with no ransom note, or call, nothing at all. It was poor optics, that of an unemotional mother blaming UFO’s and who, on top of everything, happened to spend the weekend in Cabo with her [alleged] lover. And it was certainly in bad taste, that of the unknown true perpetrator(s) returning the little girl—dead for five days, as per autopsy report—nine days after having been taken from her own bed, to her own bed.

The “official” report concluded Paulette got stuck in her bed and her death was ruled an accident, moreover, it stated that had someone noticed her in time, her faith might have been different. Poor parents. Poor nannies. Poor policemen. Poor detectives. Poor forensics. Poor reporters. How embarrassing for them all, maybe “next time” they will have more “common sense” and look in the most conspicuous places, just to be safe. 

Well friend, I know that by now you know when I am being facetious and read that last part in my sarcastic tone of voice, I mean, gone for nine days? Found on her own bed? No one noticed the body? No one was held accountable? Sounds good to me. *eye roll*

If you are still interested in Paulette’s case and would like to know the play-by-play of the events, I highly recommend you watch this video which, luckily, you can enjoy with YT’s auto-translate if you do not speak Spanish. Need more content on the subject? Go to Netflix and watch the limited series Historia de un Crimen: La Búsqueda aka The Search for a sobering time.

In Love and Fear,

—Marath

© 2016-2021